
Bob is the author of "The
Guerrilla Music Marketing Handbook" and "Branding
Yourself Online: How to Use the Internet to Become a Celebrity
or Expert in Your Field."
As
you surely know, one of the primary ways to present your band
or record label to the industry is through a solid press kit.
I've spent a great deal of time over the years preaching about
the art of crafting effective bios, cover letters, press releases
and more. Of course, those tools provide an excellent way
for media people to READ about your music, but they still
have to HEAR it to be truly sold.
With
that idea in mind, here are four tips to help you get your
promo kit noticed and your music heard by the media:
1)
Send CDs More Than Cassettes
After
having received many thousands of packages over the years,
I can tell you that CDs are by far the format of choice. And
for all the obvious reasons: sound quality, convenience and
the ease of cuing up individual tracks. Some time, just for
fun, pop in a cassette you're not familiar with and try finding
the beginning of the second song ... then the third song.
It's frustrating and time consuming. So you can imagine how
thrilled overworked media people are when they have to awkwardly
skip through a tape to get a feel for a new release.
Note:
If you think everyone receiving your press kit is going to
play your recording all the way through, guess again. Most
of them will breeze through it to determine if your album
is worth a more in-depth listen. CDs make this process infinitely
easier. And that's your job: to make it as easy as possible
for people to give you press, radio airplay, paid gigs and
more.
2)
Prioritize Who Gets What
If
you want to reach a lot of media sources and simply can't
afford to send everyone CDs, do this: Send your CDs to the
high-priority contacts and places most likely to respond.
Send cassettes to the rest. You can also have a third category
of lower-priority contacts to which you simply send, for instance,
your bio and a photo. In the cover letter that goes with them,
ask the recipient to contact you if they want a free review
copy. That way, you're only sending your CDs to the people
who really want them.
3)
Take Off the Shrink Wrap
It
may seem like a minor thing, but it does take some effort
to pry off that impenetrable plastic that surrounds new CDs
and cassettes. Imagine being pressed for time and having to
wrestle with a dozen (or more) of these babies at one sitting.
Again, make it easier for people to enjoy your music and you
will be rewarded!
4)
Include Complete Contact Info on Everything
I'll
admit it, I'm a contact information freak. If you're going
to be a lean, mean, independent music-marketing machine, you
must do everything you can to get people (both industry folks
and fans) to connect with you. Sending out your press kit
and then expecting people to go to work figuring out how to
get in touch with you is pure idiocy.
Cover
letters get separated from bios. Photos get removed from press
releases. J-cards drift away from the cassettes they identify.
Put your contact info on everything! Think of your music marketing
tools as frisky puppies that love to break from the leash
and run away. They need identification tags so the people
who find them know who they belong to.
I
hope these ideas motivate you to make it easier for others
to listen to your music and help you succeed.
Get
FREE music marketing ideas by e-mail when you sign up for
Bob Baker's weekly newsletter, The Buzz Factor. Just visit
www.bob-baker.com
for details. Bob is the author of "The
Guerrilla Music Marketing Handbook" and "Branding
Yourself Online: How to Use the Internet to Become a Celebrity
or Expert in Your Field."
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